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|
To |
Antigone |
by |
Sophocles |
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| You are about to read the story of Antigone, a young girl who loved her family more than her life. This play is part of a trilogy about the family of Oedipus, its origination, its rise to fame, and its downfall. Remember as you read that the Greeks believe in the Gods and their dictates governed the peoples' lives. |
| History | Literary Style | Sophocles | |||
| Tragedy characters/plot | Staging | Antigone | |||
| Drama home page | Classroom reading and assignments | ||||
| 10th grade home page | |||||
| Definition | In Greek tragedy, a significant figure in a play or story is brought down, or experiences disaster, as a result of a flaw in his/her own character. |
| Characteristics | highly developed set dramatic form |
| linked with religious ritual/reverence for the gods | |
| centered on suffering of major character | |
| exposed arrogance | |
| Characters | defined by Aristotle |
| not purely innocent or evil | |
| high rank in society | |
| possess tragic flaw
in character shows in poor judgement and/or arrogance dooms character/brought down |
|
| represent powerful forces - human and divine | |
| Plot | involves fierce conflict |
| ends with resolution of trouble after suffering/disaster | |
| based on stories about interaction between gods and humans | |
| based on stories about conflict between humans | |
| from myths | |
| familiar to audience | |
| Set up | prologue: introduces conflict |
| parados: entrance of chorus (example of choral ode) | |
| scenes alternate with odes | |
| exodos: final scene | |
| Chorus | interacts with principle characters/dialogue |
| Choragos: chorus leader - speaks for entire chorus | |
| Chorus functions | comments on previous action |
| fills in events that don't happen on stage | |
| generalizes a specific problem presented in the play - philosophical comments | |
| suggests passage of time | |
| contributes to the development of the theme | |
Figures of speech |
Aphorism: short
statement of a general truth/truism True in the past, in present, and probably future |
| Metaphor: comparison between two unlike objects for clarification | |
| Irony: dramatic, situational, verbal | |
Staging |
no scene changes |
masks, elaborate costumes |
no violence on stage |
offstage action - events told by messenger (traditional figure) |
| Sophocles | ![]() |
| one of world's greatest playwrights | |
| introduced 3rd actor/reduced role of chorus | |
| wrote over 100 plays/ seven survive intact | |
| won numerous contests |
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